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But perhaps his scripts for Moneyball and Steve Jobs are more relevant here. Sorkin is, of course, the much-imitated writer of The West Wing and The Newsroom.
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Considering that it’s the directorial debut of Aaron Sorkin, that may come as a surprise. Molly’s Game is slick, flashy, highly entertaining, and hugely forgettable. Each with their own shades of peculair, they make for the ideal double feature for those that have only seen the director’s Spring Breakers.
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Trash Humpers and Mister Lonely (Harmony Korine)Īs we await Harmony Korine’s forthcoming Matthew McConaughey-led hippie movie The Beach Bum (a Cannes debut, perhaps?), MUBI is now streaming two of his most essential features from the aughts: the unclassifiably off-putting (in a fantastic way, of course) Trash Humpers and Mister Lonely, which follows the journey of a Michael Jackson impersonator (Diego Luna) who takes up an adventure with a Marilyn Monroe impersonator (Samantha Morton). As our trio of nuns over-indulge in sacramental wine and take part in God-forbidden sexual desires, the cast exudes a lovable charm, despite the nagging sense they had more amusement making it then the audience has watching it. Reilly, Molly Shannon, Nick Offerman, Fred Armisen, Jemima Kirke, Adam Pally, and Paul Reiser - and marks a step forward in his directorial style, even if the comedy ends up running out of steam. Set in a 1347 medieval Italy, Jeff Baena’s follow-up to Joshy packs an even bigger cast - including Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Take a portion of The Devils, add a splash of The Witch, a heaping of Monty Python, and then douse it in the comedy of today and you have The Little Hours.
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Where to Stream: MUBI ( free for 30 days) One character in particular, Claudia (Anna Mouglalis) struggles with her desires, passions, and insecurities, affecting the more stable of the two. Many of the shots are static, locations are kept to a minimum and the script revolves around one couple and their tumultuous relationship. Relationships are never simple and they certainly don’t feel easy in Jealousy. However, there is a seeming simplicity to the filmmaking, courtesy of veteran filmmaker Philippe Garrel, whose latest film finally arrives in United States after a year-long festival tour. Frownland, a divisive character study met with a whole spectrum of reactions upon its festival debut, has now been restored and is streaming on FilmStruck, along with a 36-minute conversation between Bronstein and Josh Safdie.
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( full review)Īlthough best known for his collaborations with the Safdie brothers, including their latest–and perhaps greatest– Good Time, writer Ronnie Bronstein is also a director. Thankfully, this helps you ignore the moments where Leitch employs a somewhat masturbatory, Nicolas Winding Refn-esque tendency to remind you how fucking “cool” it all is. Despite some wonky plotting best described as Diet John le Carré and a heavy-handed soundtrack that occasionally gets in its own way, Charlize Theron plows full steam ahead with a taut precision and a physicality commanding every moment with an icy ferocity. The film is, by definition, “cool” in every sense. There’s a bargain underlying the whole of Atomic Blonde, wherein director David Leitch wavers between its more cheeky qualities and its adherence to the conventions of generic spy fare. The bar for All the Money in the World then became not a question of “could Ridley Scott deliver a good movie” but rather “could Ridley Scott deliver a movie at all?” – Nate F. He set out to replace him with Christopher Plummer having roughly a month to spare. And then, of course, there are matters outside of his control: with a finished All the Money in the World in hand and ready for a prestigious Christmas release, the long-gestating public revelation of Kevin Spacey’s crimes forced Scott to cut the second-billed actor. Depending on how charitable you are willing to be to the director, he has been in a slump for either one, two, or three decades. The bar has never been lower for Ridley Scott. Check out our rundown for this week’s selections below.Īll the Money in the World (Ridley Scott) Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. With a seemingly endless amount of streaming options - not only the titles at our disposal, but services themselves - we’ve taken it upon ourselves to highlight the titles that have recently hit platforms.